Best Cheap Digital Camera

Previous Posts

Kodak Digital Camera Review
Lcd vs Plasma
LCD TV Projector Monitor
Apple ipod nano, mini accessory
Canon EOS Digital Camera
How a digital camera works
Best Cheap Digital Camera
Online Outlet Shopping Center Mall
Apple ipod mini
Free Online Mp3 Music Downloads

Top 10 Popular Digital Cameras Under $300
by Gary Hendricks


Are you on a budget but still want to buy a good digital camera? Well, that’s great because I've compiled a list of the top 10 digital cameras out there going at under $300. When choosing a value-for-money digital camera, remember that it should offer great features and excellent photo quality, all at a reasonable price. That said, let’s have a look at that list of cameras. Here we go …

Nikon Coolpix 5200
The Nikon Coolpix 5200 has a 5.1 megapixel resolution and a 3x optical zoom. With its excellent picture quality, battery life and camera optics, this is one of the best-selling cameras out there. The body of the camera is also very well-designed – you’ll find that it’s very comfortable to hold it while shooting pictures.

Canon PowerShot A95
Another hot seller, the Canon PowerShot A95 is a 5 megapixel camera with 3x optical zoom. Photo quality is excellent, with sharp and vivid colors. Overall, this is one of the best point-and-shoot digital cameras you can buy. Highly recommended.

Fuji FinePix E550
The Fuji FinePix E550 is an interesting camera with 6.3 megapixels image resolution and a 4x optical zoom. There’s a nice, big 2 inch LCD screen, though the camera body itself is slightly bulky. Still, a good value given its price.

Sony CyberShot DSC-W1
The Sony CyberShot DSC-W1 one of the most popular digital cameras at the moment. It is compact and looks very stylish. With a 5.1 megapixel resolution, 3x optical zoom and a very generous 2.5 inch LCD, you’ll be hard pressed to find a better camera in its price range.

Canon PowerShot S500
I currently own one of these babies. The Canon PowerShot S500 is a wonderful point-and-shoot camera with a 5 megapixel resolution and 3x optical zoom. It’s a great camera for traveling and snapping pictures on the fly. What’s more, its one of the most stylish cameras too.

Pentax Optio S5i
The Pentax Optio S5i comes with a 5 megapixel resolution and 3x optical zoom. Its capable of taking very good pictures and there’s a surprising number of features packed into its small, compact body.

Olympus C-765
The Olympus C-765 is a 4 megapixel camera with an amazing 10x optical zoom. There is a nice feature set, including a wealth of white balance settings. Very good camera to buy if you want to avoid the standard Canon or Sony models.

Kodak EasyShare DX7630
The Kodak EasyShare DX7630 is a great camera with a 6.1 megapixel resolution and 3x optical zoom. The small, yet feature-packed body allows you to take great pictures and video too. It also runs on rechargeable batteries, making it one of the best point-and-shoot cameras out there.

Casio Exilim EX-Z50
With a 5 megapixel resolution and 3x optical zoom, the Casio Exilim EX-Z50 is one of the smallest digital cameras out there. I found that it’s got a pretty big LCD screen, fast response time and decent battery life, Recommended for those who want a very small, compact camera that takes good pictures.

Konica Minolta DiMAGE Z1
This is a 3.3 megapixel resolution camera with a 10x optical zoom. The powerful optical zoom is a big plus – it’s tough to find a camera with a 10x zoom in this price range. It also runs on rechargeable batteries and shoots great looking pictures. I highly recommend it.

Conclusion
Ok, we’ve gone through many good-value digital cameras in the above list. Which one would I buy if I were in a camera shop? It’d be a tough choice between the Canon PowerShot S500, Kodak EasyShare DX7630 and Konica Minolta DiMAGE Z1. When you head out to buy your own camera, do bear in mind that digital camera prices are dropping everyday. So shop around, it should be easy to find a model that suits your needs and yet fits within your budget.


About the Author
Gary Hendricks runs a hobby site at
www.basic-digital-photography.com . Read his tips on digital photography and learn to shoot better photos with your
digicam.






How to Buy the Right Digital Camera
by Kathleen Wade


How to Buy the Right Digital Camera

When buying a digital camera there are many things you should consider. First you should understand how a digital camera works. What you are using your digital camera for will help you decide what features to consider and how much you should spend. I am here to educate you and help you decide.

Let’s start with understanding how a digital camera works. A digital camera uses semiconductor chips instead of conventional film. It’s usually a Charged Coupled Device (CCD). When your shutter opens, light strikes the CCD, temporary electronic changes to the CCD and converted into computer language and recorded on either internal or removable memory. After which the images can be viewed on a small screen located on the back of the camera. Later, then of course downloaded to a computer. Did that make sense? It probably didn’t if this is your first time buying a digital camera. Let’s move on.

Today there are endless cameras to choose from. You obviously have a price range in mind. If you are mainly using it to exchange snapshots over the internet or for creating quick and simple advertising, don’t expect to spend more than $500.00. If you want some control over creation and images, expect to spend between $600 and $2000, especially if you want to make prints on a printer capable of “photo quality” reproductions. If only the ‘best will do’ for you than don’t expect to spend anything less than $5000.

You also have to consider what features you would like. The heart of the camera is the CCD. The larger it is, the more pixels it contains. As expected, the more pixels, the more it costs. If you just want to email your mom 500 miles away a snap shot of a 3 x 4 of your first born, a CCD with about 640 x 480 pixels will do. If it’s a 5 x 7, than do not settle for less than 1280 x 1024 pixels. An 8 x 10 demands about 2000 x 1500 pixels. Also important things to consider are memory, types of flashes, and ease of download.

Depending on what you plan to use your digital camera for will depend on how much you will spend. Keep the previous and following advice in mind before you leave to purchase your first camera and maybe it will be your last.

A.Start out with the least expensive camera that will do the job today.
B.Make sure that the camera you are purchasing is compatible.
C.Ask if the camera you are purchasing can accept an external power supply. Digital cameras eat power faster than your car. You don’t want to spend endless amounts of time sitting in line buying batteries for your camera.
D.See if the software that comes with your camera has a photo-editing program.
E.Lastly, ask your friends, neighbors, relatives how satisfied they are with their cameras.
Author: Kathleen Wade
www.etech-head.com
Requests@etech-head.com




About the Author
Kathleen Wade
http://www.etech-head.com
requests@etech-head.com


Choosing The Right Digital Camera For You by Gordon Brenzil


Let's get something straight right out of the box. If you're looking to buy a new digital camera, you don't really have to be an expert in pixels and mega pixels and all that kind of stuff. If you expect to find that kind of deep technical discussion here, you're in the wrong place.
Actually, there's a whole lot of stuff you don't really need to know before tackling the daunting task of choosing the right digital camera for you.
First of all, forget all the high-tech jargon. It's mostly a lot of sales hype anyway. Choosing a good unit is pretty simple really...pretty much all you have to remember is that the higher the mega pixel rating on the front of the camera, the bigger picture you can make without it breaking up into little chunks (called pixels) and most likely the more cash it's likely going to pry out of your pocket. Each model has an array of techno-widgets that go by different names but they all have the same basic focus, to help you take a better picture.
I have a quick (and admittedly simplistic) overview of the pixel story. The shot on the left on my web page
http://www.great-nature-photography.com/digital-cameras.html
is one I took with a high pixel rating and the one on the right was with a much lower rating. They've been enlarged way beyond what you would normally do, but I do have a point to make here.
If you look carefully you can see there's a terrific difference in the way they look or, in the 'resolution'. The image on the right has already broken up into small pieces (pixels) (I hope) you can readily see. The picture on the left was magnified several times more than the one on the right which should give you an idea of how big you can enlarge it and still retain a fairly decent result. By the way, these shots are of a very, very small piece of a picture I took of snapdragons in our front yard.
A camera with a 5.0 mega pixel rating or higher can produce a decent 16X20 print but one with a 2.0 mega pixel rating or lower should be restricted to a maximum of 4X6 prints. For the most part, you won't be happy with pictures any larger than 4X6 from the lower rated camera.
Okay, Let's Pick A Camera...
Well, I have my favorites and my not-so favorites.
When I looked at all the digital cameras available, I was more than a little astounded at the vast selection of available equipment. It seems that every company that’s ever heard the word “computer” has jumped on the bandwagon. It seems they lay their hands on some lenses, wrap a computerized box around them, added a few techno-widgets and bingo, instant digital camera!
Where did I start? Well, I went back to my tried and true method of buying a film camera that I talk about later. It’s always worked for me and didn’t let me down this time either.
My personal digital camera finally wound up to be an Olympus C-5050. By the way, Olympus did not do themselves or their customers any favors in my opinion by dumping the f1.8 lens on the C-5060.
I chose this camera for the fast f1.8 lens and ease of use. I'm lazy at best and wanted a unit that's going to do most of the work for me while leaving me with the option of doing what I want to do when I want to do it.
This unit has all the automatic features I'll ever need but I also have the ability to set up the camera completely manually. I can still do minimum depth-of-field work among other things. I never want to completely lose control to a mindless computer although they do have their uses at times.
The first thing I did after I opened the box was print off the user manual - all 265 pages of it! I figured I had done my duty by it and promptly ignored it.
After very quickly killing my first two sets of “high-capacity” alkaline batteries, I sprung for a couple sets of Nickel-Metal Hydride (Ni-MH) rechargeables. Not only did they last longer but it was a heck of a lot cheaper than replacing the alkalines every darn time I picked up the camera.
It boils me to have to admit this but I actually had to go back to the user manual. I wasn't getting the results I wanted and there was also some 'stuff' on the camera I had no clue about using. The moral of this story is that you're gonna have to at least have a nodding acquaintance with your user manual. Sorry, but that's just the way it is.
Back to choosing a camera...
Throughout the years I've learned that if a camera 'fit' my hand it worked well for me. It may sound a little strange at first but just think about it. If you're handling something that feels awkward, your results are going to look like it. I had a Mamiya RB-67 for a lot of years. It was a big, ungainly unit but it was a good 'fit' for me and produced a great image. I also used a Hasselblad for quite a while but I much preferred the Mamiya and it gave me better results than the Hasselblad. (Don't tell Hasselblad lovers I said this, they'll kill me!)
So, rule of thumb...if it fits your hand nicely, if the main controls are handy to your fingers, if it has the mega pixel number you want and falls within your budget, you can be pretty confident this will do the job you want it to do. Oh yes, if it's a brand you've never heard of before, be very, very wary. It may work well and it may not. If it doesn't, there may not be any tech backup for you to be able to access.
The major camera companies spend lots of money developing new photo technologies. Although the latest techno-widgets go by different names, they all have the same goal, to make your pictures look as good as possible.
Pretty well every company in the world that has even come close to producing a good digital camera has gotten into the "SLR Wars".
Single lens reflex cameras dominated the photo market for years until digital technology hit the market. Because of design and price limitations, SLR technology has not been widely available in digital cameras until the last year or so.
The furious pace of technological developments has completely overtaken the market and even professional photographers are being boggled trying to keep up.
Remember the old Nikon F2? It was the major link in the Nikon chain of professional cameras for over 10 years! This was pretty much the norm until the computer hit the photographic industry big time.
Changes used to come slowly and deliberately and it wasn't hard to keep up with the latest and greatest when major new developments came along only two or three times in a decade.
The battle now is to produce digital cameras that operate faster, can be sold cheaper and will produce a better picture. Severe competition even exists within the same corporate structure where teams of developers do their utmost to 'outgun' other camera designers who work in the same building as they do.
Nikon has a distinct advantage over many of the other manufacturers in that owners of some of the older series of Nikon lenses can use them with the new digital bodies, a tremendous dollar saving to the photographer.
Most of this is aimed at the professional photographer. But, with technology changing as rapidly as it is, a camera technology that sells for several thousands of dollars today will undoubtedly become available to people like you and me in the next couple of years for a whole lot less money.
One of the hardest jobs a new camera buyer will have is determine which of the new techno-widgets does the best job and is the best value.
One thing to keep in mind about camera features…they all have the same job and that’s to help you take a better photo.
Picture this if you will. If you lined up 10 cameras from different manufacturers, each with similar basic features, took the same picture with each, I think even the camera manufacturers would have a tough time picking out which of the resulting photos came from their units.
Getting feedback from all kinds of users is one very excellent use of newsgroups. Serious photographers, amateur and professional both, love to talk about their latest 'toys'. This is a good way to spend time and a good place to ask questions and get (sometimes) intelligent answers.
Don't wait until you've made the investment to start doing your homework.
Another rule of thumb, if you're happy with a particular brand name already, my suggestion is to stick with it. You'll probably be more satisfied in the long run.
Now, having said all that, there are currently five search engine 'favorite' companies among the people looking for information on the Internet, Sony, Canon, Olympus, Kodak and Nikon in this order of popularity.
Understanding how to set your camera's resolution is absolutely vital. There's no shortcut and there's no way around it. This is the core of taking a good reproducible photograph. If, for instance, your camera is set for 240X360, you can forget making any kind of decent print above a 'thumbnail' size.
The low-end cameras are not a bargain if you're looking for good photo reproduction. Labs are constantly arguing with customers who submit low resolution digital images from a cheap camera for printing and then aren't happy with the results. They simply don't understand why their pictures are so lousy. Lenses and the type of digital image recording technology are also critical factors.
I won't get into the technical details of why but I will suggest you consider spending in the $250 to $400 range if you want something that will satisfy you.
Let’s spend a few minutes on lenses. Pretty well all of the digital cameras these days have a form of zoom lens. Most of the higher-end cameras have the capability for the user to add either an external telephoto or wide-angle lens. Depending on the type of photography you want to do will determine whether or not this is of value to you.
One thing to watch out for. The higher end cameras have very good glass lenses. It’s part of what you're paying for. The lower-end units have progressively less expensive lenses and consequently, a lower image definition.
There are both optical and digital zoom capabilities on digital cameras. The term "optical zoom" simply means you're using the glass lenses to do the magnification. "Digital zoom" on the other hand simply increases the size of the pixels to make the image larger. For reasons of image clarity, the optical zoom is a far better way to go.
One last note - if you run across the "best deal in town" on a very low-priced name brand camera, check to make sure it isn't badly out-dated. Buying well-priced clearance stock is okay if it isn't too old. In this computer age, pretty well anything over a year old is considered 'old technology'. As new technologies are developed the price keeps going down so you could actually be money ahead by investing in the 'latest and greatest'.
Always keep in mind the old adage that 'you usually get what you pay for.
If you go to a 'box' store looking for the best price, don't expect service. The folks there simply don't know what they're selling. Their job is to move as much merchandise as they can as quickly as possible. It's not to give you advice.
Go to the Internet to get the latest data directly from the manufacturers. It changes very, very quickly. When you do this, try to climb through all the sales hype to get to the 'meat' of what the cameras are all about. Newsgroups can also a very excellent source of advice for 'newbies'.
Most people will be very happy to give you their personal opinion of what you should buy. Just remember, they won't usually tell you what the downside to their purchase is. They don't want to look less than 'expert' in your eyes. Do your own homework. This is an investment you probably won't repeat for several years.
A specialty camera store on the other hand gives the buyer both service and product and usually very well. Keep in mind that the specialty store personnel are quite often very highly trained and will probably be well prepared to help you find the best equipment for you and will also give you a 'leg-up' in getting started using it.
We need to spend a couple of moments on storage media. Whatever size media card you stick in your camera will determine the number of pictures you can take and store. It's like a roll of film, the bigger the roll the more pictures you can take.
Digital images are no different. The greater the number of available megabytes (Mb), the higher the number of pictures you can take.
A word of caution - never, never, never leave your media card in a photo lab. The incidence of loss is high and most labs won't replace lost cards. Quite frankly, I don't blame them. Far, far too many false claims have been made and labs now refuse to take any responsibility for your memory cards.
That’s it for this one.
Keep your film dry your lenses clean!

You can see more at:
http://www.great-nature-photography.com


About the Author
Gordon has spent well over 30 years in the photo industry. In addition to ownng his own photo lab and professional studio for many years, he has also taught.



Traveling to Europe with your digital camera? by Doug Rogers


The Vacation Season is fast approaching and naturally you will be taking your digital camera along for the journey. After all your vacations are far and few between and it is nice to look back on those memories as you slave away at your job. However, when you travel with a digital camera, it is a completely different experience from that of traveling with a film camera. This is a lesson that far too many travelers seem to be learning the hard way, especially if you’re traveling to Europe. After a couples years of relying mostly on digital for taking photos when I travel, there are things you should consider before you head off on your next trip.

Charging Batteries is one of the biggest stumbling blocks you'll face when you travel. Outlets can be scarce in hotels. On a recent trip to Europe, only one of the five modern hotels I stayed in had more than one outlet available for use when charging up electronics. Charging your battery can be more of a hassle if you're traveling by train: If you take an overnight train in Europe, they don't have power adapters at the seats (certain trains do, but it's not something you can count on). I suggest bringing at least two rechargeable batteries, three if you plan to travel with overnight trains, or don't think you'll be able to charge every night. If your camera uses regular AA batteries, consider yourself lucky-you'll find those everywhere. Scope out the situation in your room when you check in: You should get at least one usable outlet, but don't count on more than that.

Bring your plugs. Some digital cameras typically come with a power brick that can handle international voltages, so you won't need a voltage adapter. However, you will need a power plug adapter to convert a US outlet plug to the local plug. Most of Europe is on the same outlet now-but not all countries accept the general "Europe" plug. Be sure to research what you'll need to jack in, and try to buy it before you leave (try CompUSA, Radio Shack, Rand McNally, or your local luggage store). If you don't have a chance to get what you need Stateside, don't fret: You should have no trouble finding an outlet converter overseas.

How do I offload my images? For fellow travelers using digicams, this was the number one problem I have heard repeatedly. Many comments from folks traveling for a week or more are: "I'm taking more pictures than I expected to." "I'm not shooting at the best resolution, because I need the room on my memory card." "I'm only halfway through my trip, and I have only 50 shots left." When you travel, odds are you'll take more pictures than you expect to also. A 1 GB card is very useful, and should suffice for low-usage shooters. But for those of us, who can go through a gigabyte or more in a day, not a week? Whether it's because your a high-volume shooter, shooting in RAW format, or a combination of the two. What I discovered is many who had digital SLRs, that had 5 megapixel or more reported they were traveling with a laptop to off load their images. None of these folks were traveling on business, so they didn't need to bring a laptop along. The sad fact is, for now, a laptop remains the most efficient and usable means of off loading images. Epson and Nikon have dedicated handheld units with a hard drive, card reader, and LCD display for copying over and viewing your images. But neither has a full-blown keyboard. If you're first buying a laptop, and intend to travel with it, I suggest going for the smallest one you can. Fujitsu, Panasonic, Sharp, and Sony all have models under four pounds. A laptop provides several additional advantages. For one thing, you can see your pictures on a big screen-to view how you're doing, and if you see any problems you want to correct with your exposure, for example, or if your pictures are being affected by dirt. For another thing, you can properly label your folders, so you know which pictures were taken where. Most newer laptops have integrated memory card readers, but otherwise, you can buy a small external card reader. For the wire-free approach, use a PC Card slot adapter for your memory card; and invest in a 32-bit Cardbus adapter (Delkin and Lexar Media offer these), for speedier transfers. Nothing's worse than coming back to the hotel after a long day of sightseeing, and needing to stay awake another 40 minutes just to off -load two 1 GB cards, at about 20 minutes a pop. If you bring a laptop, I also suggest investing in a portable hard drive. A portable hard drive can serve multiple purposes: It can be a means of backing up your photos on the go; a means of giving you a way to take your photos with you if you have to leave your laptop unattended; and a means of expansion, if you somehow manage to fill up your laptop's built-in hard disk. If you don't want to bring a laptop, and already have an Apple iPod, Belkin sells an attachment for using your iPod with memory cards; or, consider the pricey units from Nikon and Epson. And if you're in a bind, remember you can always buy memory overseas. I was surprised that when I went to Europe, the prices were high, but not so outrageously so that I wouldn't buy another card if I were in a bind. Cards were more readily available, too, than they were when I last traveled through Europe three years ago. Look at it this way: Even if you overpay on the card, you can still reuse it-which beats overpaying for a single use 35mm film cartridge when you were in a bind in years' past.

Be prepared for problems. Things happen when you travel and I've had more things go awry carrying my digital SLR than I have had with my 35mm over the years. Lens paper is always useful to have on hand, but if you have a digital SLR, another supply is absolutely critical: An air blower bulb, to blast out the dust and dirt that will inevitably get trapped inside your camera. I never had problems with my 35mm SLR, but with my digital SLR, I constantly find dirt gets trapped inside, when I change lenses. And there's nothing worse than having a splotch marring your otherwise awesome shots. Finally, remember the philosophy of redundancy. Whether your battery dies and you have no way to charge it, or you run out of space on your memory card(s), and don't want to buy another at a higher-than-usual price, I suggest packing a second camera if you can. A digital point and shoot is a good option but I usually carry a point and shoot 35mm to use if I run into any problems just so I won’t lose any precious pictures.



About the Author
Doug Rogers has worked as a freelance photographer for the past 25 years in various fields of photography. In the past two years he has become an avid and devoted fan of digital photography. For tips on better digital photography and the latest reviews on the newest digital equipment that hits the market, Subscribe to his monthly Newsletter “The ViewFinder” at http://www.best-digital-cameras-review.com



Get the most out of your digital camera today by Kevin Rockwell


Point and click. The new life of digital cameras gives us all the opportunity to capture images as we go. Whether you simply hit the shutter button to take pictures of your friends and family or if you want to have your camera with you at all times in order to capture the beauty of life wherever you find it, getting the most out of your digital camera can be easy.

Let’s imagine ourselves with the perfect set up of digital camera and a few accessories to make things just right. My personal and professional recommendation is that we start with memory. Get more today. If you only have one memory card for your camera it is time to add to the collection. If you have more than one then good job! The more memory you have for your digital camera the less likely it will be that you get stuck wanting to take more pictures and have no more room on the storage. Memory is relatively cheap, takes up no space in your kit and gives you total control over creativity.

Your camera comes with a variety of quality settings to work with when taking images. Don’t use TIFF, leave it on one of the medium quality level settings and your camera will take fine images for you and not eat up all your memory. If you use the highest setting you will get very few images onto your card. They will for the most part be of very high quality but you would only want to shoot at that level of quality if you are intending to make high quality large format prints of your images.

Now if that child of yours is just so incredibly cute and your wall is aching for a portrait of his or her shining face then by all means do it on the highest quality. The key will be to use good software to process the image and then a printer that can make a large format, high quality print of your image. They exist and for not unreasonable prices I might add.

I was stunned at a recent art show in my neighborhood to be looking at a photographer’s exhibit of large size prints (18x24 and up in size) to find out that he shoots exclusively in digital now. He was a former film photographer who switched over in recent years and now makes stunning prints from his digital images. His landscape images were simply amazing and to find out that he shot them on a good digital camera made me very curious about the process, but that is fodder for another article.

Juice is the answer to your next question. Always have more juice. I spent 20 years in the TV news business and my mantra was always have extra batteries ready to go and an extra tape under the back seat in case of emergency. For TV cameras the batteries were always big and heavy rechargeable NiCads. Lithium batteries are the rage nowadays as they are lighter in weight, have no memory problems, and run longer. Digital still cameras can take advantage of Lithium batteries but the cost is often slightly prohibitive for most of us. Some camera systems use proprietary battery systems. I would recommend not buying into that sort of system. Try to buy a camera that uses universal types of batteries such as AA’s. I use a camera that takes AA’s and I have three sets of rechargeable batteries so I can rotate through them and never be caught short. Total cost for three sets of batteries is about $30, and they will last you several years if you treat them right. If you just buy regular AA batteries and shoot a lot of images your battery cost might triple that over a like period of time.

Edison did it and now we consider him a genius. Experimentation is the name of the game. Digital images cost you nothing but time and a little battery life. Play around and take lots of shots of things, people, events, you name it. Look at magazines, newspapers and notice what images look cool to you. Try to take shots like that yourself so you can see how it is done. This will get you thinking about how to make your everyday shots better. Look for new and different ways to frame things, take both a vertical and a horizontal shot of the same thing and see how it changes perspective. Get closer to your subject, or get farther away to see which looks better. Find something unique about your subject and look for a way to exploit that for a better image. Here is and example, say for instance you have a great looking car you want a picture of, well don’t stand across the street from it and zoom in on the car, get right up close with the sun behind you so the car is sparkling shiny and fills the whole frame of the image. Find it’s best feature and center that in the shot say the awesome lines of front of the car or snazzy wheels.

Print something from your camera every week to remind you of the beauty of everyday things. Take shots all the time, pick one and print it out and then put it in front of you for a day or a week. Live life as though you want beauty around you all the time. If you are madly in love then surround yourself with pictures of that love. If you live in a beautiful place then take pictures of it all the time to make sure you never forget how special it is to be there in your life. Don’t let those images hide away and not be seen. Wallpaper on your computer can be another place to put your weekly image, change it regularly with images from your family, work, life, hobby and you will get more smiles and more joy out of your camera than you know what to do with. My current wallpaper takes me back to a wonderful day on a mountain lake this past summer paddling kayaks in the afternoon breeze. What about yours?




About the Author
Kevin Rockwell is a life long photographer and digital camera convert. He has spent his whole adult life taking pictures and now spends his time shooting sports images, training soccer players, and writing about digital cameras. The Flash Times is filled with tips, news, and information about digital cameras. Visit www.great-digital-cameras.com/signup.html to sign up today for this monthly newsletter.


Is digital photography expensive? by Jakob Jelling


By Jakob Jelling http://www.snapjunky.com

Being such a fascinating device as the digital camera, this technological masterpiece is of course a precious and priced possession. And acquiring it also means that one time achievement feeling. Thus a person must also be very careful and at the time quite a little knowledgeable in order to make a good purchase and not lose a good bargain in the maze of soaring prices and mist of exaggerated cost myths. This discussion is again focused to pierce that mist and unravel that myth to reveal the truths and facts regarding the actual and economic cost of a digital camera!

As per recent marketing trends, the conventions has it that there are only two types of digital camera users, firstly the average people who only craves to push the button, and secondly the professional photographers, people who looks for good control over the digital camera and its well carved features and are willing to pay virtually any price. Thus with this idea in the back of the entire process of sell and purchase, diverse levels of resolution for such digital cameras are available that are the real culprits in defining the price range of the cameras. United with such singular features the digital cameras come in a spectral variety of price range for an even varying customer range that are willing to pay anything from £30 to £1,500. The cost of an average digital camera probably lies in the region of £260, however in spite of this a person must be aware of what functionality or resolution that he or she is looking for and ultimate paying for, so that the purchase does not result in too much in exchange of too little of whatever must be desired from the digital camera. A person must self analyze the reasons for purchasing the digital camera before venturing into an expensive rendezvous. He or she must be aware of what the real purpose is, is it only snapping for casual reasons or a serious plan to produce super quality photographs to be printed as art or for professional purposes.

Looking into the price index in a little more detail reveals more facts! SLR (single-lens reflex) digital cameras have attained quite a price shedding with the invention and market release of digital cameras like Canon's EOS Digital Rebel, an SLR priced below $1000, perhaps the very first of its kind. Even with certain add on into the digital camera that even add to the price a bit more, still the Rebel cost remains about $600 below its flanking competitors. However comvention has it that these standard digital cameras cost around $2500 to $4,000.

In an effort to find out the reasons behind such soaring high prices, research reveals that digital camera sensors are, for all intents and purposes, computer chips. The bigger the computer chip, the more likely it is for errors. The reason remains that a single blemish in the silicon wafer may reduce to rubble an entire chip. Thus the random flaw increases with the size of the wafer. This is the exact reason why costly chips like Intel Pentiums processors are basically not bigger than 20mm square and can be also manufactured in greater volumes. Yet with the reduction in size the prices soar up and this proves the high costs of the digital cameras.

Thus it becomes clear from this discussion that a predetermined mind set is required when approaching for purchasing a device like the digital camera. This discussion provides an overview of the price ranges of good digital cameras, but a person must identify his or her own needs and preferences and have an open mind but with some notion of what a good but should be, and the cost of the digital camera would be a guaranteed perfection!


About the Author
Jakob Jelling is the founder of http://www.snapjunky.com . Visit his digital camera guide and learn how to take better pictures with your digicam.


Ghost Hunting Should Be Professional by Robert W. Benjamin


Ghost Hunting can be very fun and yet at times it can be one of the most terrifying things you will probably ever do in your life.

The following are just a few of the things folks have encountered during ghost hunting or paranormal investigations:

1. Smells: These smells can seem to come from no where, and develop instantly and disappear just as fast. The smells are often putrid like rotted meat, or like fresh bowel movements, and are very overpowering at times.

2. Apparitions: Some spirits appear as barely visible forms, while some become as solid and normal looking as a living person.

3. Clouds - Mists - Masses: Often fleeting shadows, things seen out of the corners of the eyes are encountered. Or a rolling black mass may appear, sometimes a whispy form like smoke is seen.

4. Disembodied voices: These are often heard and at times they can be very scary. Imagine being in a darkened room, and having something invisible whisper or even shout in your ear. These are not EVP's, but normal sounding speech.

5. Physical Sensations - Some ghost hunters have been touched, pinched, slapped, had their hair pulled, been scratched or even bitten by invisible entities.

6. Rappings - Scratching - and Knockings: In walls, ceilings and floors. strange sounds and noises are often heard in haunted locations, as well as hearing what sounds like objects being dropped, or moved in nearby rooms.

7. Cold spots: Sometimes just before a spirit manifests they draw energy from the surroundings. Often a spot in one area of a room will suddenly become very cold. For example the temperature thoughout a room may average 75 degrees but in one corner or area, the temperature will suddenly plummet to 50 degrees or even colder. This is a sure sign of a spirits presence or a soon manifestation.

8. Power drains and equipment malfunctions: Like cold spots, when a spirit is drawing energy needed to become solid or more visible, they will often draw-in nearby energy, this energy can also come from batteries in video camers, and other devices. Often cameras, tape recorders, even lights will suddenly go haywire or stop working all together when a spirit is present.

Almost everyone that does ghost hunting believes that there are two types of spirits, human and in-human, the latter are also called demons. I am a born again christian and believe the bible 100%. From my beliefs in the bible as factual. I believe there is only one type of spirit involved in any haunting, and these are in-human or demons.

According to the bible, when we are dead our spirits or souls are present with God, from there we are either granted a life of love and peace in heaven with the creator and the other believers, or we are cast into hell forever, with no chance of escape. The bible also says there is a huge chasm or void that separates the living from the dead, they cannot cross over or communicate with each other. There are other statements in the bible that clearly says that ghosts can not be the spirits or souls of people who have died.

Whether the creatures involved in a haunting are spirits of dead humans or whether they are demons, if one is trying to prove that they truly exist or if you are trying to disprove a haunting, then you must do paranormal investigations as a professional.

A professional Ghost Hunter or paranormal investigator needs to have the right tools. Here I will explain devices that every ghost hunter or paranormal investigator MUST have, if he or she is truly taking the phenomenon as real or as a business, and not as a joke.

1. Voice Recorder: It doesn't matter if you use a standard tape recorder or one of the new digital recorders, what does matter is the quality and the ability to use an external microphone. Try to get one that is of good quality, but make sure you get one that has a plug in microphone with a cable or cord so the end of the microphone is away from the recorder. The small all-in-one recorders that have the built in microphones, pick up a lot of the hiss and gear noises of the recorders when they are in record mode. A recorder is a necessity for recording EVP's. EVP's also called (electronic voice phenomenom) are a very unique and sometimes frightening thing that is often encountered in a haunted area. What an EVP is, is a voice or other communication that is heard on a tape or digital recorder during playback, that was not heard when the recorder was recording.

2. Film Camera: Do NOT use a digital camera because the photo will always be questioned as being fake, no matter how good it is, where if you use a film camera, you at least have the negatives as some proof. And unless you buy a high mega-pixel digital camera, the photo quality will be less than a nice cheap 35mm film camera.

3. Camcorder: A camera is good, but a camcorder is even better. Get one that uses a tape, either the small cassettes or one of the older models that use the full sized VHS tapes. I bought two of these older camcorders for under $75 each recently.

4. Thermal Imaging scopes or goggles: These capture the upper portion of the infrared light spectrum, which is emitted as heat by objects instead of simply reflected as light. Hotter objects, such as warm bodies, emit more of this light than cooler objects like trees or buildings. Often spirits that manifest have a temperature in their form that stands out in this spectrum, especially if a spirit is present in a cold location.

5. Night Vision scopes or goggles: These little devices have become very cheap, a nice night vision scope can now be purchased easily for under $200. They work by collecting the tiny amounts of light, including the lower portion of the infrared light spectrum, that are present but may be imperceptible to our eyes, and amplifying it to the point that we can easily observe the image.

6. Flashlight: Take along two small pocket ones for each team member. What can be worse then exploring a dark cellar or underground area, and having the lights or another flashlight fail.

7. Walkie Talkies: If you have a group of team members, and you are investigating a large location, walkie talkies are not just a good thing to have, but they can be a life saver at times.

8. Notebook and pencils: Often any electronic, electrical or other devices may fail in a haunted location, so it's very wise to carry along a small notebook and some pencils in case you need to keep some valuable notes.

9. Thermal Scanner: A hand held thermal scanner (thermometer) uses infrared technology to measure the surface temperature of material without touching it. You simply point at your target, pull the trigger and read the temperature on the lit LCD display.

One of the best tools I recommend, is also the cheapest, under $10 U.S. It is a computer software program that is made just for Ghost Hunting and Paranormal Investigations. It's called 'Ghost Hunter'. The software is for anyone who explores haunted houses or locations where any type of paranormal activity is occurring. Whether you are trying to gather evidence of the haunting or other proof, this software can help make the job more organized and easier.

Ghost Hunter software was made as a scientific tool, for paranormal researchers that believe in spirits, demons, or ghosts. Researchers can easily keep track of vital data gathered at the haunted locations. With this software you can know at a glance such vital information as; the date and times of the activity, location info, GPS data, telephone numbers, notes, sounds heard, odors detected, temperature anomalies, and more.

You can use the software on location during the investigation with any WINDOWS based notebook Computer or back at home or in the office after the investigation.

For more information and the ability to download and try a free demo version of the 'Ghost Hunter' software, please visit the publishers website: http://www.rb59.com/ghosth

By Robert W. Benjamin

You may publish this article in your ezine, newsletter on your web site as long as it is reprinted in its entirety and without modification.


About the Author
Robert W. Benjamin has been in the software business on the internet for over 5 years, and has been producing low-cost software for the past 25+ years. He first released products on the AMIGA and C64 computer systems in the late 1970's-80's.

RB59.COM Software http://www.rb59.com/software



Digital camera macro mode by Jakob Jelling


The digital camera is a wonderful device that allows a diverse variety of applications with its even diverse spectral collection of utilities. As technology progresses it brings along with it those intense pleasures that human beings have only thought of. Now the digital camera has opened up the dimensions for the people and the photographers in providing with the liberty of capturing whatever they wish and of whatever type they prefer! Well the magic words are macro mode. Although the words might seem to be a bit deceiving they have really a great application in the field of digital photography and digital camera as a device. In general the digital camera macro mode allows a digital camera to photograph close-up pictures of petite objects like flowers, insects, coins, etc. Macro mode potentiality vary from camera to camera but almost all digital cameras offer this exclusive feature to enable the users to widen up their imaginations and their weirdest fantasies in creating art.

Extending the discussion further we can state that just about most of the digital cameras has a macro mode. Each of these digital cameras can be verified of having the macro mode because for each of them one of the menu buttons will have an icon of a flower on it. This is the macro mode button invariably. And thus has the specific technology built in. The macro mode button, when pressed, switches the camera into a special close focus mode and many allow the photographer to shoot less than 10cm from the picture subject. Many cameras of reputed companies like Nikon and Ricoh allows the users to be as close as 3cm from the picture subject that permits barely credible close ups of tiny objects such as little insects. The macro mode has a greater variety of applications in security measurements too. At times macro mode may be also useful for making photographic records of priced jewels for insurance purposes in order to prevent theft and fraudulent activities.

The macro mode is more often than not present on the menu button that as well has an icon of two triangles symbolizing mountains (or rather landscape mode) and sometimes MF (manual focus) too. This button has to be pressed several times until the flower icon appears on the viewing LCD. A number of digital cameras then subsequently by design shift into a particular precinct on the zoom lens making a mechanical sound as the zoom reset. While using a digital camera macro mode it must be noted that it is harder to focus for the digital camera instantly, so it takes a bit of time for adjustment. Thus the users need not hurry while using the digital camera macro mode. As the subject comes in focus the depth-of-field also increases. On the other hand, the depth-of-field is controlled by the camera's aperture. Most digital cameras are full automatic and this setting cannot be changed. Thus patience becomes a virtue while using the digital camera in their macro mode.

Much has already been discussed about the digital camera macro mode. It can be stated here that the digital camera macro mode is a really intricate feature. And every delicate object or subject needs to be handled with care. To really cherish the beauty of the digital camera macro modes the users require developing the expertise and also building a kind of patience that is necessary to cerate beauty in art and object.



About the Author
Jakob Jelling is the founder of http://www.snapjunky.com . Visit his digital camera guide and learn how to take better pictures with your digicam.



Transfer the digital camera images to your computer by Jakob Jelling


By Jakob Jelling
http://www.snapjunky.com

There are a few very important tasks associated with using the digital camera. The most important is of course capturing a beautiful photograph. The next most important task is that of transferring this image somewhere from where it can be printed. The most suitable place is hence the computer. Now, here comes another area of importance that needs to be analyzed and sufficient knowledge is required to be imparted to the users to make ample use of such an important feature. This discussion is thus generally focused upon this mechanism to transfer the digital camera images to the computer, and the various types of such a transfer. Looking from a very simple point of view, there are two methods for transferring the digital camera images to the computer; they are firstly by attaching the digital camera directly to the computer (a process that is popularly called tethering) and secondly by the use of a memory card reader.

In the present world most digital cameras are endowed with arrangements for a comparatively nippy USB connection. USB is basically an interface between a computer and peripheral devices like keyboards, telephones, scanners, and printers. In the current case this peripheral device is the digital camera. This USB feature enables the computer to be directly connected to the digital camera and transfer the images via the USB port present in the computer itself also. Many of the computer operating systems (like the Windows XP) have features for in-built tethering support for this purpose solely. One major problem of this feature of tethering is that it consumes a huge amount of power from the batteries. For this reason, many of the digital cameras are provided with AC adapter that powers the camera. The appropriate software installed within the computer and the digital cameras provides the entire task for making a successful transfer of the images from the digital camera to the computer.

Regarding the software associated with such a digital image transfer from a digital camera to a computer, it is important to state that digital cameras come equipped with CDs containing driver files, image viewers and photo editing software. It connects to the computer via a USB or other port. Some digital cameras come with a PCMCIA interface also.

The next feature for making a successful transfer of image from the digital camera to the computer is via memory card readers. These memory card readers make image transfers without consuming a lot of the precious digital camera batteries; this is the best part of this method. Two important points define the memory card readers; the first is the type of memory card the digital camera uses for storing images. Secondly, the type of connection the digital camera has with the computer. USB is the most predominant kind of card reader available in today's world. In some cases, many computers are equipped with certain slots that take in cards directly inside the computer or may be with the help of a PC card adapter too. Then the transfers of images are made appropriately from the digital camera into the computer memory efficiently.

All the features and the technology discussed in the above lines are focused towards uncovering the various efficient and suitable methods for a better transfer method of the images and photographs from the digital camera into the computer memory. As technology advances with years, these would get further improved and the popularity and flexibility of this fantastic device, the digital camera, would get even more all the rage!



About the Author
Jakob Jelling is the founder of http://www.snapjunky.com . Visit his digital camera guide and learn how to take better pictures with your digicam.