Sony Cybershot Digital Camera Review

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Sony Cybershot DSC-W1 Digital Camera Review

Choosing The Right Digital Camera For You by Gordon Brenzil


Let's get something straight right out of the box. If you're looking to buy a new digital camera, you don't really have to be an expert in pixels and mega pixels and all that kind of stuff. If you expect to find that kind of deep technical discussion here, you're in the wrong place.
Actually, there's a whole lot of stuff you don't really need to know before tackling the daunting task of choosing the right digital camera for you.
First of all, forget all the high-tech jargon. It's mostly a lot of sales hype anyway. Choosing a good unit is pretty simple really...pretty much all you have to remember is that the higher the mega pixel rating on the front of the camera, the bigger picture you can make without it breaking up into little chunks (called pixels) and most likely the more cash it's likely going to pry out of your pocket. Each model has an array of techno-widgets that go by different names but they all have the same basic focus, to help you take a better picture.
I have a quick (and admittedly simplistic) overview of the pixel story. The shot on the left on my web page
http://www.great-nature-photography.com/digital-cameras.html
is one I took with a high pixel rating and the one on the right was with a much lower rating. They've been enlarged way beyond what you would normally do, but I do have a point to make here.
If you look carefully you can see there's a terrific difference in the way they look or, in the 'resolution'. The image on the right has already broken up into small pieces (pixels) (I hope) you can readily see. The picture on the left was magnified several times more than the one on the right which should give you an idea of how big you can enlarge it and still retain a fairly decent result. By the way, these shots are of a very, very small piece of a picture I took of snapdragons in our front yard.
A camera with a 5.0 mega pixel rating or higher can produce a decent 16X20 print but one with a 2.0 mega pixel rating or lower should be restricted to a maximum of 4X6 prints. For the most part, you won't be happy with pictures any larger than 4X6 from the lower rated camera.
Okay, Let's Pick A Camera...
Well, I have my favorites and my not-so favorites.
When I looked at all the digital cameras available, I was more than a little astounded at the vast selection of available equipment. It seems that every company that’s ever heard the word “computer” has jumped on the bandwagon. It seems they lay their hands on some lenses, wrap a computerized box around them, added a few techno-widgets and bingo, instant digital camera!
Where did I start? Well, I went back to my tried and true method of buying a film camera that I talk about later. It’s always worked for me and didn’t let me down this time either.
My personal digital camera finally wound up to be an Olympus C-5050. By the way, Olympus did not do themselves or their customers any favors in my opinion by dumping the f1.8 lens on the C-5060.
I chose this camera for the fast f1.8 lens and ease of use. I'm lazy at best and wanted a unit that's going to do most of the work for me while leaving me with the option of doing what I want to do when I want to do it.
This unit has all the automatic features I'll ever need but I also have the ability to set up the camera completely manually. I can still do minimum depth-of-field work among other things. I never want to completely lose control to a mindless computer although they do have their uses at times.
The first thing I did after I opened the box was print off the user manual - all 265 pages of it! I figured I had done my duty by it and promptly ignored it.
After very quickly killing my first two sets of “high-capacity” alkaline batteries, I sprung for a couple sets of Nickel-Metal Hydride (Ni-MH) rechargeables. Not only did they last longer but it was a heck of a lot cheaper than replacing the alkalines every darn time I picked up the camera.
It boils me to have to admit this but I actually had to go back to the user manual. I wasn't getting the results I wanted and there was also some 'stuff' on the camera I had no clue about using. The moral of this story is that you're gonna have to at least have a nodding acquaintance with your user manual. Sorry, but that's just the way it is.
Back to choosing a camera...
Throughout the years I've learned that if a camera 'fit' my hand it worked well for me. It may sound a little strange at first but just think about it. If you're handling something that feels awkward, your results are going to look like it. I had a Mamiya RB-67 for a lot of years. It was a big, ungainly unit but it was a good 'fit' for me and produced a great image. I also used a Hasselblad for quite a while but I much preferred the Mamiya and it gave me better results than the Hasselblad. (Don't tell Hasselblad lovers I said this, they'll kill me!)
So, rule of thumb...if it fits your hand nicely, if the main controls are handy to your fingers, if it has the mega pixel number you want and falls within your budget, you can be pretty confident this will do the job you want it to do. Oh yes, if it's a brand you've never heard of before, be very, very wary. It may work well and it may not. If it doesn't, there may not be any tech backup for you to be able to access.
The major camera companies spend lots of money developing new photo technologies. Although the latest techno-widgets go by different names, they all have the same goal, to make your pictures look as good as possible.
Pretty well every company in the world that has even come close to producing a good digital camera has gotten into the "SLR Wars".
Single lens reflex cameras dominated the photo market for years until digital technology hit the market. Because of design and price limitations, SLR technology has not been widely available in digital cameras until the last year or so.
The furious pace of technological developments has completely overtaken the market and even professional photographers are being boggled trying to keep up.
Remember the old Nikon F2? It was the major link in the Nikon chain of professional cameras for over 10 years! This was pretty much the norm until the computer hit the photographic industry big time.
Changes used to come slowly and deliberately and it wasn't hard to keep up with the latest and greatest when major new developments came along only two or three times in a decade.
The battle now is to produce digital cameras that operate faster, can be sold cheaper and will produce a better picture. Severe competition even exists within the same corporate structure where teams of developers do their utmost to 'outgun' other camera designers who work in the same building as they do.
Nikon has a distinct advantage over many of the other manufacturers in that owners of some of the older series of Nikon lenses can use them with the new digital bodies, a tremendous dollar saving to the photographer.
Most of this is aimed at the professional photographer. But, with technology changing as rapidly as it is, a camera technology that sells for several thousands of dollars today will undoubtedly become available to people like you and me in the next couple of years for a whole lot less money.
One of the hardest jobs a new camera buyer will have is determine which of the new techno-widgets does the best job and is the best value.
One thing to keep in mind about camera features…they all have the same job and that’s to help you take a better photo.
Picture this if you will. If you lined up 10 cameras from different manufacturers, each with similar basic features, took the same picture with each, I think even the camera manufacturers would have a tough time picking out which of the resulting photos came from their units.
Getting feedback from all kinds of users is one very excellent use of newsgroups. Serious photographers, amateur and professional both, love to talk about their latest 'toys'. This is a good way to spend time and a good place to ask questions and get (sometimes) intelligent answers.
Don't wait until you've made the investment to start doing your homework.
Another rule of thumb, if you're happy with a particular brand name already, my suggestion is to stick with it. You'll probably be more satisfied in the long run.
Now, having said all that, there are currently five search engine 'favorite' companies among the people looking for information on the Internet, Sony, Canon, Olympus, Kodak and Nikon in this order of popularity.
Understanding how to set your camera's resolution is absolutely vital. There's no shortcut and there's no way around it. This is the core of taking a good reproducible photograph. If, for instance, your camera is set for 240X360, you can forget making any kind of decent print above a 'thumbnail' size.
The low-end cameras are not a bargain if you're looking for good photo reproduction. Labs are constantly arguing with customers who submit low resolution digital images from a cheap camera for printing and then aren't happy with the results. They simply don't understand why their pictures are so lousy. Lenses and the type of digital image recording technology are also critical factors.
I won't get into the technical details of why but I will suggest you consider spending in the $250 to $400 range if you want something that will satisfy you.
Let’s spend a few minutes on lenses. Pretty well all of the digital cameras these days have a form of zoom lens. Most of the higher-end cameras have the capability for the user to add either an external telephoto or wide-angle lens. Depending on the type of photography you want to do will determine whether or not this is of value to you.
One thing to watch out for. The higher end cameras have very good glass lenses. It’s part of what you're paying for. The lower-end units have progressively less expensive lenses and consequently, a lower image definition.
There are both optical and digital zoom capabilities on digital cameras. The term "optical zoom" simply means you're using the glass lenses to do the magnification. "Digital zoom" on the other hand simply increases the size of the pixels to make the image larger. For reasons of image clarity, the optical zoom is a far better way to go.
One last note - if you run across the "best deal in town" on a very low-priced name brand camera, check to make sure it isn't badly out-dated. Buying well-priced clearance stock is okay if it isn't too old. In this computer age, pretty well anything over a year old is considered 'old technology'. As new technologies are developed the price keeps going down so you could actually be money ahead by investing in the 'latest and greatest'.
Always keep in mind the old adage that 'you usually get what you pay for.
If you go to a 'box' store looking for the best price, don't expect service. The folks there simply don't know what they're selling. Their job is to move as much merchandise as they can as quickly as possible. It's not to give you advice.
Go to the Internet to get the latest data directly from the manufacturers. It changes very, very quickly. When you do this, try to climb through all the sales hype to get to the 'meat' of what the cameras are all about. Newsgroups can also a very excellent source of advice for 'newbies'.
Most people will be very happy to give you their personal opinion of what you should buy. Just remember, they won't usually tell you what the downside to their purchase is. They don't want to look less than 'expert' in your eyes. Do your own homework. This is an investment you probably won't repeat for several years.
A specialty camera store on the other hand gives the buyer both service and product and usually very well. Keep in mind that the specialty store personnel are quite often very highly trained and will probably be well prepared to help you find the best equipment for you and will also give you a 'leg-up' in getting started using it.
We need to spend a couple of moments on storage media. Whatever size media card you stick in your camera will determine the number of pictures you can take and store. It's like a roll of film, the bigger the roll the more pictures you can take.
Digital images are no different. The greater the number of available megabytes (Mb), the higher the number of pictures you can take.
A word of caution - never, never, never leave your media card in a photo lab. The incidence of loss is high and most labs won't replace lost cards. Quite frankly, I don't blame them. Far, far too many false claims have been made and labs now refuse to take any responsibility for your memory cards.
That’s it for this one.
Keep your film dry your lenses clean!

You can see more at:
http://www.great-nature-photography.com


About the Author
Gordon has spent well over 30 years in the photo industry. In addition to ownng his own photo lab and professional studio for many years, he has also taught.



Sony Cybershot DSC-W1 Digital Camera Review
by Gary Hendricks


Are you looking for a good point-and-shoot digital camera? If you are, one camera to consider is the Sony Cybershot DSC-W1. This little compact camera is currently flying off the shelves. With good optics and a large 2.5 inch LCD screen, in addition to great looking pictures, the DSC-W1 is one of the more popular cameras around.

Design and Construction
The Sony Cybershot DSC-W1 is one stylish looking camera. A direct competitor to the Canon PowerShot S500, the DSC-W1 has been constructed to be a compact, travel ready camera that you can use to take quick snaps. Its dimensions are 3.5 inches by inches by 1.25 inches (weight-height-depth) and it weighs only 7.0 ounces.

One aspect of the camera I found especially impressive was the large 2.5 inch LCD screen. Most compact cameras have small LCDs so much so that you have to quick to look at the postage stamp sized images. Well, not in the Sony DSC-W1. The large screen makes it a joy to do on camera image editing or to show off your pictures to friends and family.

Optics and Resolution
The Sony Cybershot DSC-W1 comes with a 5.1 megapixel resolution, as well as 3x optical zoom and 2x digital zoom. There’s a built-in Carl Zeiss Vario-Tessar lens to allow quick focusing in a wide variety of photo environments.

The optics in this camera are also superb. There are comprehensive focusing options available if you’re more adventurous and want to play around with advanced manual camera options.

If you want to customize the camera to take photos at night, for example, you can change the shutter speed or play with the size of the aperture quite easily. If you need to take a quick shot in the middle of a vacation, you can switch back to auto focus and exposure so that the camera does everything for you. In short, the Sony DSC-W1 has features which give you extreme flexibility in taking photos.

User Controls
The user controls in the Sony Cybershot DSC-W1 are found next to the LCD and on a mode dial at the top surface of the camera. I found the controls easy to use. Whether you want to zoom in on an image, or change to a different scene mode or focus setting, the controls are always within easy reach.

Movie Mode
I also like the availability of a movie mode in the DSC-W1. You know, sometimes when you’re out in the park or on a vacation, you get those moments when you know a video will be more appropriate instead of a photo. That’s where the movie mode is useful. You can capture video at 30 frames per second (fps) at VGA size 640 x 480 – that roughly translates to 90 seconds of video on the included 32 MB memory card.

Direct Printing
As with many new digital cameras, the Sony DSC-W1 supports PictBridge direct printing. This is tremendously useful if you want to quickly print out photos without having to import them to a computer first. Of course, you will need a printer that is PictBridge compatible as well – the Canon Pixma iP4000 is my personal choice.

Storage and Transfer
The Sony Cybershot DSC-W1 comes with a 32MB Sony Memory Stick – which is hardly enough for serious photo taking, since each image is potentially 5MB in size. I’d recommend getting at least a 128MB Memory Stick to complement the camera. In terms of image transfer, the camera supports USB 2.0 ports. This means that you’ll experience lightning transfer of data between the camera and your computer.

Battery Life
One thing I love about the Sony Cybershot DSC-W1 is the battery system. The camera supports standard AA batteries like those from Energizer. This is pretty rare in digital cameras – most cameras need to use a proprietary battery. The ability to support AA batteries is great because you need not worry about the batteries running out – AA batteries are easily found in any convenience store.

Shortcomings
There are some quirks I noticed in the Sony DSC-W1. Though not serious problems, they did serve to mar my experience with this camera somewhat. What are these quirks? They include:

* Lack of a panorama-assist mode
* Lock of white-balance calibration options
* No way to adjust the camera's automatic power-down time.
* Lack of a good photo editor in the bundled software

Conclusion
I do hope this review of the Sony Cybershot DSC-W1 has been of help to you. If you’re looking for a good travel camera to take fun shots with, this Sony model is tough to beat. I personally own a Canon PowerShot S500, but I’d also recommend this Sony because many of my friends have been raving about it.


About the Author
Gary Hendricks runs a hobby site at www.basic-digital-photography.com . Read his tips on digital photography and learn to shoot better photos with your digicam.



Digital camera printers by Jakob Jelling


The digital camera is not meant only for capturing images and storing them on the computer memory disks. The real effect comes from the hard copy of those fantastic images taken by the users, that is the printed photographs! In order to get the printer copy of the images a very important device necessary is the printer. The digital image printing requires a few numbers of components that comprises the total process of printing. This discussion is thus primarily focused towards analyzing and understanding this whole experience of digital camera printers.

Scrutinizing in some more detail, it can be observed that in digital photography some really good and fantastic one-trick-pony printers have filled up the market that are exclusively designed for the sake of printing digital camera photos. These printers are not for the purpose of printing everyday documents, simply because their cartridges and photo paper, that are sold together in single boxes, are not cheap and thereby economic for such purposes. Thus they are solely for the reason of getting the images into physical paper with a high degree of perfection and elevated quality. In these printers the ink and paper are by and large sold together in single boxes, and the average print costs to around 30 to 70 cents. However the biggest advantage remains that these printers themselves are inexpensive.

Looking at the advantages of these digital camera printers, the very first and the most significant one is that these printers do not require a computer for their functioning. They have the ability of printing directly from the digital camera, which enables the users to take and use them on the road too! A few examples of such great printers are Canon's Selphy DS700 and CP330; the Olympus P-10; Sony's FP30 and EX50; Epson's Picture Mate; and Hewlett-Packard's Photo smart 375. Some digital cameras nowadays enable the users to connect them directly to a PictBridge printer using a standard USB cable. And then obtain the printed photographs. Another loom is to include memory-card slots right on the printer as a result the users do not run down the camera's battery while printing.

The above discussion reveals almost all the rudimentary yet important information regarding the digital camera printers and it is expected that more and more users of the digital cameras would appreciate this fantastic device!



About the Author
Jakob Jelling is the founder of http://www.snapjunky.com . Visit his digital camera guide and learn how to take better pictures with your digicam.


Getting the Most From Your Digital Camera Memory Card by Kevin Rockwell


Imagine taking your new digital camera on a vacation and then realizing that you can barely click 20-30 images at a go. So, what do you do to avoid such a situation? The answer to this question lies in the purchase of an extra memory card or two.

One of the important components of a digital camera is the memory card. Most digital cameras come with quite a low amount of memory and it is always better to include the cost of a memory card while purchasing a camera. There are several types of memory cards so you must check out the memory options available in the camera that you are planning to buy.

Also, remember that if the resolution of your camera is high, then you will also need a high capacity memory card. There is no predetermined number of images that you can store on a particular memory card. It depends on the kind of images, the file type of the images and the compression rate per photograph. Normally, a 128 or 256 megabyte card is adequate for the average photographer using a 3-5 mega pixel camera.

There are several types of memory cards available. Here is a list of the kinds of memory cards available in the market today:

·Compact Flash Memory Card: Compact Flash is a relatively cheap memory card. It is available in most shops and is compatible with a large number of digital cameras. It is very popular and is commonly used by camera lovers. These cards come with an in-built controller which results in high transfer speeds. However, in order to use this facility, you normally need to be using a digital SLR.

·Secure Digital & Multimedia Cards: Commonly known as the SD card, these cards are one of the smallest memory cards which are available today. These cards can be used in different types of equipment, i.e. digital cameras, phones, MP3 players and video cameras as well. However, the maximum memory capacity is only 512 MB. The difference between the SD card and the multimedia card is that, as the name suggests, the SD card comes with an additional write-protect switch for data security.

·Memory Stick: The memory stick is an invention by Sony. As a result, these cards can mostly be used only on Sony devices. Hence, if you have a Sony digital camera, a Toshiba laptop; then it is most likely that you will not be able to use your memory stick on both equipments. It is a very durable and rugged memory option. So, unless and until you are a Sony fan, the memory stick has limited use for you.

·Card Reader: Once you have purchased a memory card for yourself, you will also need a card reader in order to transfer your pictures onto your laptop or PC. The advantage of a card reader is that it can be directly attached to your computer through the USB port. Then you simply need to slot in the memory card into the reader, and you can transfer files easily. The card reader does not require any additional cables and neither does it use up the battery of your digital camera.

The bottom line with digital camera memory cards is that you need to always have more on hand than you need, prices are often very affordable, and you should choose your camera based on the version of memory card that it takes. Don’t buy into a camera system if you feel the memory card will not accommodate your photo taking needs.





About the Author
Kevin Rockwell worked as a network TV cameraman for 20 years shooting news and sports. Now a devoted fan of digital photography and video he works to gather information, tips and news for digital camera users. Oh and he loves to shoot pictures of his kids playing sports.
http://www.great-digital-cameras.com/gdcj.html